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He’s a big-dicked, self-obsessed, hyper-opportunistic hex of a man whose puppy dog con artist schtick is so transparent that even naive teenagers can see right through it, which is exactly why people lower their guard and let him in.
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“Red Rocket” (directed by Sean Baker) - IndieWire Critic’s Pickįormer porn star Mikey Saber (Simon Rex) might be “blessed” - at least according to the sore underage girl he’s grooming during a post-coital chat in the flatbed of her pickup truck - but the reality of the situation is that the guy is nothing less than a living curse. Still, with complex characters and fantastic performances, “National Champions” offers a vital take on a developing issue. Football fans, likely the film’s target audience, will be disappointed to find no actual football occurs in the movie. “Tick Tick Boom” chose to embrace the artifice and shoot obvious theater sets, and basically no one can compete with the way Steven Spielberg’s camera dances in the new “West Side Story.” While the dramatic conflict is ripe in “National Champions,” a timely sports drama based on the play by Adam Mervis, the movie fails to rise above its weighty premise. Hit films from last year like “Ma Rainey’s Black Bottom” and “One Night in Miami” featured stellar performances, but struggled to break out of their singular location narratives. If recent memory serves, it’s tough to put a play onscreen without it feeling like a play onscreen. “National Champions” (directed by Ric Roman Waugh) Fans of best-selling author Sally Thorne, who burst onto the romance scene with the 2016 novel on which Hutchings’ film is based, will certainly know what to expect from the feature version, but film fans will likely be delighted by a rom-com that dares to be - gasp! - genuinely sexy. There is indeed a thin line between love and hate, and as Peter Hutchings’ crackling “The Hating Game” opens, Lucy and Josh are inches from demolishing that line forever. The one constant: its players, Lucy (Lucy Hale) and Josh (Austin Stowell), dueling assistants at a publishing house who not only seem incapable of seeing eye to eye, but of very often getting damn close to actually punching out said eyes.
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The rules of the hating game are not set, they are constantly in flux, changing to suit rapidly conditions.
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Where to Find It: Select theaters, plus various digital and VOD platforms “The Hating Game” (directed by Peter Hutchings) Adam McKay’s “Don’t Look Up” is nothing if not one of those films.
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Read IndieWire’s full review.Īnd yet, for all of the truth contained in that wisdom, certain films make it almost impossible to shake the feeling that cinema - the most palpably fourth-dimensional of all popular art forms - possesses an unrivaled ability to make us appreciate how we can waste it. Sorkin and Lucy and Desi? It’s a strange pairing even in theory, and still worse in practice, as Sorkin’s oddly flat biographical drama “Being the Ricardos” offers up some of the least interesting appraisals of not just Lucy and Desi, but of Sorkin himself, plus his stars Nicole Kidman and Javier Bardem. Sorkin certainly isn’t a stranger to comedy, but his interests - snappy dialogue, twists of fate, jokes about celebs - don’t exactly intersect with the enduring charm of Lucille Ball and Desi Arnaz’s seminal ’50s-era sitcom. In retrospect, writer and director Aaron Sorkin’s baffling admission that he doesn’t necessarily think “I Love Lucy” would be considered “funny” today should have caused an even larger fervor than it did (read: a small fervor, at least in social media circles). Where to Find It: Select theaters, available on Prime Video on December 21 “Being the Ricardos” (directed by Aaron Sorkin) Additionally, our coverage will provide alternative viewing options whenever they are available. We encourage readers to follow the safety precautions provided by CDC and health authorities. Week of December 6 – December 12 New Films in TheatersĪs new movies open in theaters during the COVID-19 pandemic, IndieWire will continue to review them whenever possible. Each film is now available in a theater near you or in the comfort of your own home (or, in some cases, both, the convenience of it all).